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- The harp in Fifteenth Century Spain

- A new history of origins and development of the ukelele 1838-1915

- History of the Banjo

- A history of mandolin construction

- Strategies for the recovery of guitar: Music of the early seventeenth century

- The mandolin in chôro

- The Portuguese Guitar-Acoustics

- Musical Style and Performance in California Mission Life

- The art of picking

- Rischel & Birket-Smith´s Collection of guitar music • The hypertext catalog of facsimile sources

- English Renaissance lute practice as reflected in Robert Dowland´s Variete of Lute-lessons

- Marginality—A Key Concept to Understanding the Resurgence of Rebetiko in Turkey

- The C. F. Martin story

- Spanish guitar bridges evolution

- During the restoration of a Lacote Guitar Observations and reflections brought us to construct a facsimile of the famous “tripodison”

- The Lutes in the Museo de la música de Barcelona

- The lute and the polyphonist

- Practicing efficiently: Developing a daily workout,Repertoire

- The guitarist´s studio: Performance practique

- The Panormo guitar and its makers

- Lacote á Paris

- Louis David Pons, Paris 1827 Guitar with adjustable neck

- Spanish guitar history

- The guitar transition to 6 strings

- Songs with guitar from the age of Napoleon

- Vincenzo Capirola (1474-1548?) Compositione di meser Vincenzo Capirola

- Imagination,books and community in medieval europe

- The restoration of antique instruments deontologies and techiques

- The guitar in europe: four centuries of master pieces

- The spanish baroque guitar and seventeenth-century triadic theory

- The vihuela Fantasia: A comparative study of forms and styles

- With, or Without Nails ?

- The Baroque Guitar Made Simple

- An Investigation Into Arcangelo Corelli’s Influence On Eighteenth-Century Spain

- The chitarra atiorbata and guitare theorbée

- The Guitar Under Lully (Gerard Rebours interviewed by Elizabeth Benson)

- Angiol Michele Bartolotti (c.1615–c.1682) Prince of the Muses

- A polyphonic mode of listening: Luciano Berio´s “Sequenza XI” for guitar

- Giovanni Paolo Foscarini (fl. 1600 – 1647) Plagiarist or Pioneer? (li cinque libri della chitarra alla spagnola)

- New guitar method (1903)

- Guitar tunig and acoustic-powerpoint

- New melodic school for the guitar. A complete progressive method of systematic instruction in all branches of guitar playing (1901)

- The guitar music of Peter Sculthorpe

- Fray Juan Bautista Sancho: Tracing the origins of california first composer