Categoría: GENERAL

- To Prelude (v.): The Art of Preluding and Applications for the Modern Classical Guitarist

- The Toccatas of Johannes Hieronymus Kapsberger’s Libro Primo D’Intavolatura Di Lauto: Analysis, Performance Practice, and Transcription for Modern Classical Guitar

- A Brief History of the Russian Seven-String Guitar

- FRETworks Idiomatic Voice Leading on the Guitar

- Alla [vera] spagnola: Hearing Spain and Playing Guitar in Early Modern Italy

- In search of François de Fossa

- Henri Sauguet’s unpublished guitar music

- Divergence and convergence in Spanish classical and flamenco guitar traditions (1850-2016) -

- The Impressionistic Guitar: Is there a mutual influence between the Spanish guitar and the Impressionist masters?

- A comparative analysis of fundamental guitar techniques.Including those of the nineteenth century and the present

- Jazz Guitarist Charlie Christian’s Influence on Wes Montgomery’s Improvisational Style Using Imitation to Develop Innovation

- The classical guitar in Australia: Foundations

- Grand Solo Op.14 & Rondo Op2. N3: The Sonority of the Classical Era

- The Reception and Impact of Wes Montgomery’s Music

- The Guitar in England 1800-1924

- Six Keyboard Sonatas of Manuel Blasco de Nebra: Transcriptions for Guitar and Analysis of Spanish Folk Music Influences, and Use of Keyboard Techniques that Imitate the Guitar, as Inspired by Domenico Scarlatti

- J.S. Bach’s Suite in G Minor, BWV 995: A Comparison of Manuscripts for Violoncello, Lute and Lute Intabulation as a Model for a Guitar Arrangement of the Suite in D Major BWV 1012

- Concerto for Guitar and Small Orchestra by Heitor Villa-Lobos: Critical Commentary and Transcription for Two Guitars

- The solo classical guitar concerto : a soloist’s preparatory guide to selected works

- John Williams: An Evaluation of his Impact Upon the Culture of the Classical Guitar

- The folia: Manuel Ponce and his variations

- Broadening the Repertoire for Guitar and Piano: An Arrangement of Bachianas Brasileiras No. 1 by Heitor Villa-Lobos

- The first three guitar sonatas of David del Puerto –

- Expressive performance cues in Gypsy swing guitar style: A case study and novel analytic approach

- The Influence of Neoclassicism in Selected Guitar Works by Joaquín Rodrigo: Implications for Performance

- Nationalism in the Guitar Music of Early Twentieth-Century Spanish Composers: De Falla, Turina, and Torroba.

- Homenaje. An Analysis of Manuel de Falla’s Le Tombeau de Claude Debussy

- Regino Sainz de la Maza

- From Spain to the United States: Joaquín Rodrigo’s Transatlantic Legacy

- An Overview and Performance Guide to the 10 Etudes for Guitar by Giulio Regondi – Stephen Lochbaum

- François le Cocq’s Music for the 5-course Guitar: Consideration of Composition and Performance Style

- Stringing it all together: A study in harmony and counterpoint for solo jazz guitar

- The Rosenwinkel Introductions: Stylistic Tendencies in 10 Introductions Recorded by Jazz Guitarist Kurt Rosenwinkel

- Counterpoint and Performance of Guitar Music – Historical and Contemporary Case Studies

- An Evaluation of the Use of Fingernail in Classical Guitar Training According to the Expert Opinions

- Francisco Tarrega the Story of Capricho Arabe

- The Guitar in the Middle Ages and Renaissance

- Anton Webernʼs Guitar as a Model for the Orchestration of His Late Works

- The Emergence of Leo Brouwer’s Compositional Periods: The Guitar, Experimental Leanings, and New Simplicity

- The Progression of Villa-Lobos Compositional Style from the Suite Popular Brasileiro to the Doze Estudo

- An Analysis of Phrase Structures in the first movement of Leo Brouwer´s Elogio de la Danza – Bogdan Vasile Focsaneanu

- Manuel M. Ponce: A critical study of his concierto romantico

- The music of Alberto Ginastera transcribed for guitar. A performance edition of danzas argentinas for guitar quartet – Philip Jason Snyder