Categoría: Historical research

- A Survey of the Solo Guitar Works Written for Julian Bream

- Minimalism and the guitar

- The process of transcription for guitar of J.S.Bach Chaconne from partita II for violin without accompaniment BWV 1004

- Christian Gotthilf Four sonatas transcribed for guitar duo

- The Use of Guitar in Anton Webern’s Op. 18 and its Influence on His Late Works

- The Spanish guitar influence on the piano music of Isaac Albéniz and Enrique Granados: a detailed study of Granada and Asturias of Suite española by Albéniz and Andaluza and Danza triste of Doce danzas españolas by Granados

- Towards an Ethnomusicology of Contemporary Flamenco Guitar

- Fernando Sor’s Theory of Harmony Applied to the Guitar: History, Bibliography and Context 

- The Guittar in the British Isles, 1750-1810

- Guitar style, open tunings and stringband music in Papua New Guinea

- Tracing the Segovia style: Collaboration and composition in the guitar Sonatinas of Mario Ponce

- Franco Margola ‘ s Chamber Works with Guitar: A Guide and Annotated Catalog

- Guitar music by japanese composers

- Flamenco : A Musical Journey into the Heart of Andalusia

- El Murciano´s “Rondeña” and early flamenco guitar music: New findings and perspectives

- Julian Bream, the great dissident of Segovia’s era

- The Guitar and Banal nationalism during the Restoration in Spain

- Guitars with Many Strings: The Meanings of Music in Picassoʼs Early Work 1900-1914

- Ida Presti as a Solo Performer and Composer of Works for Solo Guitar

- Participating in the musical tradition of prejjem: Transmitting the guitar culture of għana within and between insular musical communities of islanders in Malta and the Maltese-Australian diaspora

- Analysis and synthesis of expressive guitar performance

- Charlatans, Saltimbanques, and Lumpen Songs: The Emergence of the Guitar from the Ghetto of Western Art Music

- The five-course guitar, alfabeto song and the villanella spagnola in Italy, ca. 1590 to 1630

- The Viennese guitar and its influence in North America : form, use, stringing, and social associations

- The unligigated case: A study of the legality of guitar tablatures

- The Guitar and Hausmusik in the Late 18th and Early 19th Centuries

- Giulio Regondi in Ireland

- The Flamenco Guitar Dissertation

- Barthélemy Trille Labarre, ‘Professeur de Guitare et Compositeur, Élève d’Haydn’, biography and catalogue of works

- Folkloric and popular elements in classical guitar performance: Spain, Argentina, Chile and Ecuador

- The baroque guitar as an accompaniment instrument for song, dance and theatre

- Harmonic Patterns and Melodic Paraphrases in Eighteenth-Century Portuguese Music for the Five-Course Guitar

- Black guitar-players and early African-Iberian music in Portugal and Brazil

- Harpsichord Suite in A Minor by Élisabeth Jacquet de la Guerre Arranged for Solo Guitar

- The Violin Sonatas of Johann Georg Pisendel (1687-1755): A History, Analysis, and Arrangement for Solo Guitar

- The Guitar in Italy in the Nineteenth Century, sixty biographies of Italian composers and guitarists

- Collaborating with the Guitar: The exploration of collaborative practices between three non-guitarist composers and a guitarist performer in the creation of new works for the classical guitar

- Journal des Troubadours Avec Accompagnement de Guitare ou Lyre with its Unusual Dating Code and Ferdinando Carulli as Composer and Arranger

- Campanelle in Seventeenth-Century Guitar Music, Bells and Riddles

- Extra fine Guitars after the newest Fashion’: guitar- and cittern-making in the northern Netherlands, 1750–1800

- The Guitar in Tudor London

- Buying, selling and owning guitars in Elisabethan England – Christopher Page

- The Guitar in the Age of Charles I

- An Englishman (wich a guitar) abroad