Categoría: THE SPANISH GUITAR

- The flute and guitar duo: the development of an equal partnership

- A Survey of Four Original Works for Clarinet and Guitar and Their Effect on Compositional Output for the Repertoire

- The Solo Guitar Music of Carlo Domeniconi: An exploration of the diverses influences

- An Annotated Bibliography of Works by the Brazilian Composer Sérgio Assad

- Sérgio Assad’s Aquarelle and Fantasia Carioca: A Performer’s Guide

- Guidelines for Transcribing Baroque Lute Music for the Modern Guitar, Using Silvius Leopold Weiss’s Sonata

- Contemporary Mexican Classical Guitar Music at the Turn of the Twenty-First Century: Selected Compositions 1988-2003

- Music of Ceyhun Saklar. How does Saklar use Anatolian Music on his Compositions?

- The Impact of Anatolian Music on Classical Guitar Repertoire

- A Humanistic Reading of Gaspar Sanz “Instruccion de música sobre la guitarra Española”

- Mauro Giuliani: Instrumental and Vocal Style in Le Sei Rossiniane

- Turkish Musical Influences upon Carlo Domeniconi’s Variations on an Anatolian Folk Song and Koyunbaba: Implications for Performance

- The Seven-String Guitar in 19th-Century Russian Culture

- A performance edition with critical commentary on Joaquin Rodrigo’s “Invocación y Danza”

- Heinrich Albert and the First Guitar Quartet

- The stringing of the 5-course guitar

- Guitar Performance in the Nineteenth Centuries and Twentieth Centuries

- Subjective preference of classical guitar strokes “apoyando” and “tirando” related to its harmonic components and autocorrelation function

- Paradigm for effective pre-college classical guitar methodology: a case study of two models of effective instruction

- Modal parameter variability in industrial electric guitar making: Manufacturing process, wood variability, and lutherie decisions

- The Sound of Trees: Wood Selection in Guitars and Other Chordophones

- Good Vibrations, Strings Attached: The Political Ecology of the Guitar

- A comparative analysis of two guitar transcription of Isaac Albeniz´s Granada

- Music Theory For Flamenco

- Toque Flamenco: The Flamenco Guitar

- The Flamenco Guitar lessons

- Fernando Sor, sheet music for guitar

- Francisco Tarrega, sheet music for Guitar

- Rethinking tradition : towards an ethnomusicology of contemporary flamenco guitar

- The five-course guitar and seventeenth-century harmony : Alfabeto and Italian song

- Towards a physical model of the guitar

- Acoustic guitar practice and acousticity : establishing modalities of creative practice

- The Guitar in the Romantic Period: its musical and social development, with special reference to Bristol and Bath

- The guitar works of Mario Castelnuovo-Tedesco : editorial principles, comparative source studies and critical editions of selected works

- The Guitar in the Romantic Period: its musical and social development, with special reference to Bristol and Bath

- An Interdisciplinary Study of the Timbre of the Classical Guitar

- A physical investigation into some factors affecting the musical performance of the guitar

- The Just Intonation Guitar Works of Lou Harrison, James Tenney, and Larry Polansky

- Julian Bream’s 20th Century Guitar: An Album’s Influence on the Modern Guitar Repertoire

- Music for two guitars

- The How and the Tao of Folk Guitar: Volume One

- Acoustic guitar plans (1)

- Acoustic Guitar Repair

- Early Romantic Guitar Sheet Music Sources