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- Female guitarrist in modern music

- The african american experiences in Appalachia

- The Baroque Guitar: players, paintings, patrons and the public

- Breaking down bluegrass:The invention of a genre from ballads to banjo to Bill Monroe

- Recording acoustic guitar

- Using a guitar humidifier

- Ragtime and the guitar

- Analysis of electric guitar Pickups

- The national-dobro guitar company: how the resonator guitar survived the age of electric amplification

- The History of Transcriptions of Lute Tablature —1679 to the Present

- Chords for the hawaiian steel guitar at sight

- 10 Guitar Speed Training Exercises No Guitar Played Should Be Without

- Howe´s instructor for the guitar ( Boston 1851)

- A collection of the most celebrated songs set to music by several eminent authors, adapted for the guitar (1774)

- Sitting with the Guitar

- Rasgueados Are For Everyone: the guitarist’s rasgueado method

- Arpeggio and Scale Resources. A guitar Encyclopedia

- The scottish medieval lute

- Heitor Villa-Lobos, Valsa concerto n-2 op 8 (1904)

- Learning every note on the guitar

- Music in Quebec 1608-1970

- History of the Guitar in Canada

- Attitudes and perspectives of pre-college guitar students

- A Two-Year Classical Guitar Ensemble for Pre-College Educational Settings

- Guckert’s complete rapid diagram chord book for the guitar : without notes or teacher

- Classical guitar instruction for the pre-college clasroom

- The Renaissance thumb-under lute technique

- Some introductory remarks on 19th -century guitar performance practique-

- The scottish contribution to the 18th-century wire-strung guitar

- Fernando Sor master composer for guitar?

- On “period” guitars and 19 th century guitar music

- The Tiled Rosette of the Flattop Guitar

- The place of the guitar in the musical history of Yugoslavia

- Evolution of the 19th Century Guitar

- Villa-Lobos’ Guitar music: Alternative Sources and Implications for Performance

- 19th-Century Guitar Methods Anyone?

- The “El estudio de arte guitarristico” of manuel López Ramos

- The guitar chamber trio from 1780 to 1830: its style and structure

- Fastab: Solving the Pitch to Notation Problem

- Modern Music a guide for the perplexed

- Coping with nail breakage

- The chilean guitarron: the social political and gendered life of a folk instrument

- The ‘a’ finger – taking a closer look

- The decline of improvisation in western art music