Categoría: THE SPANISH GUITAR

- An Analysis of Villa Lobos’s’ Twelve Etudes for Guitar

- The development and validation of an instrument for measuring the music sight-reading skills of classical guitarists at the college entry level

- Creating an improviser ‘s system for jazz standards on the classical guitar

- Design of a composite guitar

- Legato and glissando identification in classical guitar

- Adapting Traditional Kentucky Thumbpicking Repertoire for the Classical Guitar

- Franz Schubert’s Chamber Music with Guitar: A Study of the Guitar’s Role in Biedermeier Vienna.

- A Survey of the Solo Guitar Works Written for Julian Bream

- Guide to the Interpretation of John Dowland’s “Queen Elizabeth’s Galliard P.41,” “Lachrimae Pavan P.15,” “Farewell Fantasy P.3,” and “Forlorn Hope Fancy P.2″ Transcribed for Guitar

- Primary Sources and Editions of Suite Popular Brasileira, Choros No. 1, and Five Preludes, by Heitor Villa-Lobos: A Comparative Survey of Differences

- The Birth of the Classic Guitar and Its Cultivation in Vienna Reflected in the Career and Composition of Mauro Giuliani.

- The technique and artistry of melodic phrasing in the spanish classical guitar tradition

- The developement of the solo classical guitar repertoire 1800-1950

- The relevance of the teaching methods of Dionisio Aguado, Fernando Sor and Andres Segovia for guitara technique in the late 20th century

- Exploring the patterns, figures and flowing ideas of Leo Brouwer

- Towards Overcoming the Guitar’s Color Research Gap

- Preservation and Study of Historical Guitars Museu de la Musica, Catalunya : Methodology Proposal to Play the Unplayable

- Sound radiation measurements on guitars and other stringed musical instruments

- The guitar works of Mario Castelnuovo-Tedesco : editorial principles, comparative source studies and critical editions of selected works

- Biomechanical modelling of musical performance : a case study of the guitar

- Acoustic guitar practice and acousticity : establishing modalities of creative practice

- Cuban Artist, Leo Brouwer, and his solo guitar works: Pieza Sin Titulo To Elogio de la Danza. A contextual-analytical study

- A suggestopaedia-based method of guitar instruction

- Music for Classical guitar By South African Composers. A historical survey, notes on selected works and a general catalogue

- Designing and Evaluating a Tablet Application for Guitar Effect Control

- Rethinking tradition : towards an ethnomusicology of contemporary flamenco guitar

- Classical Guitar Method Volume I (Beginner)

- New optical process of making a guitar

- Marco Pereira: Brazilian Guitar virtuoso

- Villa-Lobos´s Cinq Preludes: An analysis of influences

- Analytical Perpectiveson on Three Groundbreaking Composers for Guitar: Villa-Lobos, Martin and Britten

- An Analysis of Astor Piazzolla’s Histoire du Tango for Flute and Guitar and the Influence of Latin Music on Flute Repertoire

- The flute and guitar duo: the development of an equal partnership

- A Survey of Four Original Works for Clarinet and Guitar and Their Effect on Compositional Output for the Repertoire

- The Solo Guitar Music of Carlo Domeniconi: An exploration of the diverses influences

- An Annotated Bibliography of Works by the Brazilian Composer Sérgio Assad

- Sérgio Assad’s Aquarelle and Fantasia Carioca: A Performer’s Guide

- Guidelines for Transcribing Baroque Lute Music for the Modern Guitar, Using Silvius Leopold Weiss’s Sonata

- Contemporary Mexican Classical Guitar Music at the Turn of the Twenty-First Century: Selected Compositions 1988-2003

- Music of Ceyhun Saklar. How does Saklar use Anatolian Music on his Compositions?

- The Impact of Anatolian Music on Classical Guitar Repertoire

- A Humanistic Reading of Gaspar Sanz “Instruccion de música sobre la guitarra Española”

- Mauro Giuliani: Instrumental and Vocal Style in Le Sei Rossiniane

- Turkish Musical Influences upon Carlo Domeniconi’s Variations on an Anatolian Folk Song and Koyunbaba: Implications for Performance