Categoría: THE SPANISH GUITAR

- Heinrich Albert and the First Guitar Quartet

- The stringing of the 5-course guitar

- Guitar Performance in the Nineteenth Centuries and Twentieth Centuries

- Subjective preference of classical guitar strokes “apoyando” and “tirando” related to its harmonic components and autocorrelation function

- Paradigm for effective pre-college classical guitar methodology: a case study of two models of effective instruction

- Modal parameter variability in industrial electric guitar making: Manufacturing process, wood variability, and lutherie decisions

- The Sound of Trees: Wood Selection in Guitars and Other Chordophones

- Good Vibrations, Strings Attached: The Political Ecology of the Guitar

- A comparative analysis of two guitar transcription of Isaac Albeniz´s Granada

- Music Theory For Flamenco

- Fernando Sor, sheet music for guitar

- Francisco Tarrega, sheet music for Guitar

- Rethinking tradition : towards an ethnomusicology of contemporary flamenco guitar

- The five-course guitar and seventeenth-century harmony : Alfabeto and Italian song

- Towards a physical model of the guitar

- Acoustic guitar practice and acousticity : establishing modalities of creative practice

- The Guitar in the Romantic Period: its musical and social development, with special reference to Bristol and Bath

- The guitar works of Mario Castelnuovo-Tedesco : editorial principles, comparative source studies and critical editions of selected works

- The Guitar in the Romantic Period: its musical and social development, with special reference to Bristol and Bath

- An Interdisciplinary Study of the Timbre of the Classical Guitar

- A physical investigation into some factors affecting the musical performance of the guitar

- The Just Intonation Guitar Works of Lou Harrison, James Tenney, and Larry Polansky

- Julian Bream’s 20th Century Guitar: An Album’s Influence on the Modern Guitar Repertoire

- Music for two guitars

- The How and the Tao of Folk Guitar: Volume One

- Acoustic Guitar Repair

- The Baroque Guitar- Players,painting,patrons and the public

- The baroque guitar in France,and its two main figures: Robert de Viseé and François Campion

- Homage in the solo guitar music of roland dyens

- Ernesto García de León: A Study of Sonata No. I, Op. 13 for guitar, Las Campanas (The Bells)

- Selected Harpsichord Sonatas by Antonio Soler: Analysis and Transcription for Classical Guitar Duo

- The Sarabandes from J. S. Bach’s Six Suites for Solo Cello: An Analysis and Interpretive Guide for the Modern Guitarist

- Establishing Editorial Principles to Create a Performance Edition of Selections From Appunti Op 210 By Mario Castelnuovo-tedesco

- Alberto Ginastera and the Guitar Chord: An Analytical Study

- A Pedagogical and Analytical Study of Dušan Bogdanović’s Polyrhythmic and Polymetric Studies for Guitar

- Compositional practices in Leo Brouwer’s Elogio de la danza : transitions from his early style to the avant-garde

- Lawrence Weiner’s Concerto for Guitar and Orchestra: Analysis and Performance Considerations

- An analitic and comparative study of Francisco Tárrega´s two volumenes of guitar studies

- Tarrega’s Transcriptions of Chopin for Guitar and their Influence on his own Compositions

- An analysis to the guitar Lab´s gesture acquisition prototype with the aim of improving it

- Luthierie Software Resources

- Classical Guitar Construction in the style Antonio Torres replicating La Suprema 1864 (1) Hide Glue Preparation, Solera, Neck, Rosette.

- 19th Century North American Guitar Music

- Design of a Classical Guitar