Categoría: THE SPANISH GUITAR

- Evolution of the 19th Century Guitar

- Villa-Lobos’ Guitar music: Alternative Sources and Implications for Performance

- The guitar chamber trio from 1780 to 1830: its style and structure

- Modern Music a guide for the perplexed

- Coping with nail breakage

- The ‘a’ finger – taking a closer look

- An introduction to sight-reading

- The Baroque Suite

- Give your guitar a rest – a player’s guide to keeping both feet on the ground

- The “Guitar” In Britain 1753 – 1800

- Radical innovations,social revolution and the baroque guitar

- Santiago de Murcia´s Cifras selectas para guitarra:A new source for the baroque guitar

- The five course guitar (viola) in Portugal and Brasil in late seventeenth and early eighteeenth centuries

- Llobet Composition´s: an analityc examination of selected works

- Fernando Sor -An analysis of Sonata for Guitar (op. 15b)

- Pedagogical analysis of Paganini´s Sonatas for guitar

- Alberto Ginastera´s use of argentine folk elements in the sonata for guitar op.47

- The solo guitar works of Richard Rodney Bennett

- Jaime Bosch (1826-1895) and the guitar in Paris at the end of the 19th century

- Some Considerations of 19th Century Guitar Music and Its Performance Today.

- The Early Guitar and Biographies of Important Guitarists in Japan

- Guitar Composers of the Classical and Early Romantic Period

- Bach’s Unaccompanied String Music: A New Approach to Stylistic and Idiomatic Transcription for the Guitar

- The history of Boccherini’s quintets with guitar

- The myth of Schubert and the guitar

- Strining and Tuning the renaissance four course guitar:Interpreting the primary sources

- How Barrios was rescued from obscurity

- The Teaching of the Guitar in England during the 19th Century

- Isaac Albéniz –An essay on the man,his music and his relationship to the guitar

- The barroque guitar as an accompaniment instrument for song,dance and theatre

- Franz Schubert music with guitar:A study of the guitar´s role in Biedermeier Vienna

- Strining of the five course guitar

- Francisco Tarrega and the art of guitar transcription

- The Early History of the Guitar in America

- The Guitar and the Birth of American Music

- Santiago de Murcia (1673-1739):new contributions on his life and work

- The Royal College Dias – guitar or vihuela?

- The guitarra latina.Spain ca 1620 from the Cantigas de Santa María

- A new guitar teaching philosophy

- The siguiriyas song form in flamenco:a historical and comparative study

- Manuel Ponce and the Suite in A minor: Its Historical Significance and an Examination of Existing Editions

- Key factors that contributed to the guitar developing into a solo instrument in the early 19th century

- The progresion of Villa-Lobos compositional style from the Suite Popular Brasileiro to the Doze Estudos

- An Analysis of Mario Castelnuovo-Tedesco’s Vogelweide: Song Cycle for Baritone and Guitar