The guitar and plucked string instruments
Blog by the guitarist Nacho Bellido
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Categoría:
THE SPANISH GUITAR
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Classical Guitar and Playing-Related Musculoskeletal Problems – A Systematic Review
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The unligigated case: A study of the legality of guitar tablatures
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A conductor’s guide to the poetical and musical style of the “cante jondo” based in the work of Mario Castelnuovo-Tedesco’s “Romancero Gitano”, op.152
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The Siguiriyas song form in flamenco guitar : a historical and comparative study
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On the structural and acoustic desing of soundboards
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Materials-inspired innovation for acoustic guitar design
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A study of multiculturalism in 20th century guitar music and the the Brazilian elements in the music of Roland Dyens
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The cadenzas of the first modern guitar concertos
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The Guitar and Hausmusik in the Late 18th and Early 19th Centuries
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The Conscious Guitarist: Alexander Technique and Body Mapping for Guitarists
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Giulio Regondi in Ireland
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A Performance Guide to Latin-American Guitar Quartets: The Quartets of Ernesto Cordero, Leo Brouwer, and Sérgio Assad
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Alberto Ginastera’s Sonata for Guitar Op. 47: an analysis
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Antonio Jose Martinez Palacios’ “Sonata para Guitarra” (1933), an analysis, performer’s guide, and new edition – Whitehead, Corey E.
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A comparison of selected classical guitar theaching methods and a review of the implications for guitar education
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The prevalence of playing-related musculoskeletal disorders to the upper limb in student guitar players
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Replacing patterns : towards a revision of guitar fretboard pedagogy
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Bridging two worlds: baroque violin performance practices as a model for the transcription of selected movements of J.S. Bach’s sonatas and partitas for solo violin on the modern guitar
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Techniques for expressive nuance in classical guitar performance : portfolio of recordings and exegesis
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Rise and fall of iconic guitar tonewoods and evaluation of alternative species
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Historical analysis and remaking of two German keyed guitars from the Romantic period using traditional and digital technologies
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A study of selected works by Canadian guitarists-composers from the perspective of idiomatic composition for the classical guitar
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Expanding guitar production techniques: Building the Guitar Application Toolkit (GATK)
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The Flamenco Guitar Dissertation
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Experimental Approaches on Vibratory and Acoustic Characterization of Harp-Guitars
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Barthélemy Trille Labarre, ‘Professeur de Guitare et Compositeur, Élève d’Haydn’, biography and catalogue of works
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Methodology of guitar instruction
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Folkloric and popular elements in classical guitar performance: Spain, Argentina, Chile and Ecuador
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The baroque guitar as an accompaniment instrument for song, dance and theatre
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Harmonic Patterns and Melodic Paraphrases in Eighteenth-Century Portuguese Music for the Five-Course Guitar
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Black guitar-players and early African-Iberian music in Portugal and Brazil
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El estilo castellano y el estilo catalan. An introduction to spanish guitar chord notation
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Harpsichord Suite in A Minor by Élisabeth Jacquet de la Guerre Arranged for Solo Guitar
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The Violin Sonatas of Johann Georg Pisendel (1687-1755): A History, Analysis, and Arrangement for Solo Guitar
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Transcribing English Virginal Music for Two Guitars: Historical Perspective, Methodology, and Practical Applications
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Vincenzo Galilei’s “26 Ricercari” from Fronimo, Transcribed for Guitar: Challenges and Solutions for Transcribing and Playing Italian Renaissance Lute Tablature on the Modern Guitar
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The Guitar in Italy in the Nineteenth Century, sixty biographies of Italian composers and guitarists
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A String of Confusion Some Thoughts on A. Strummer’s Book Review of Italian Guitar Music of the Seventeenth Century
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Collaborating with the Guitar: The exploration of collaborative practices between three non-guitarist composers and a guitarist performer in the creation of new works for the classical guitar
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‘Caprice de chaconne’ (1671): Symmetry and proportions in Francesco Corbetta’s work for Baroque guitar
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Journal des Troubadours Avec Accompagnement de Guitare ou Lyre with its Unusual Dating Code and Ferdinando Carulli as Composer and Arranger
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Jazz Standards Arranged for Classical Guitar in the Style of Art Tatum
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Cognitive and metacognitive learning strategies for skill acquisition among conservatory guitarists
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Finite Element Design and Manufacturing of a Nylon-String Guitar Soundboard from Sandwich-Structured Composites
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CATEGORIES
GENERAL
Articles about music
Historical studies related to the guitar
THE ELECTRIC GUITAR
Construction and repair
Jazz / Blues guitar
Maintenance
pickups
Sound
THE LUTE
THE PLUCKED STRING INSTRUMENTS
THE SPANISH GUITAR
Acoustic and tuning
Analisys of musical works
Construction and repair
Guitar technique
Historical research
Methods and pedagogy
THE VIHUELA
Tablature