guitarraraul

- Guitar style, open tunings and stringband music in Papua New Guinea

- Historically informed interpretation: a process in relation to the Deuxi ` eme Grande Sonate op.25 for solo guitar by Fernando Sor

- Tracing the Segovia style: Collaboration and composition in the guitar Sonatinas of Mario Ponce

- Mario Castelnuovo-Tedesco´s The Divan of Moses-Ibn-Ezra A cycle of Songs for Voice and Guitar op. 207 (1966)

- Bringing new works to life : collaboration and interpretation in the performance, recording and editing of new works for guitar

- Tuning the classical guitar: a commentary and guide

- Franco Margola ‘ s Chamber Works with Guitar: A Guide and Annotated Catalog

- Style and Development in the Theorbo Works of Robert de Visée: An Introductory Study

- Guitar music by japanese composers

- Continuo for lutenist and guitarrist: A tutor and music theory supplement

- Flamenco : A Musical Journey into the Heart of Andalusia

- Pride, Pedagogy, and Performance: Getaran Jiwa, Variations on a Malaysian Song, Op. 125 by John Duarte

- Automatic guitar tablature transcription online

- The guitar as a teaching tool in the elementary general music classroom.

- El Murciano´s “Rondeña” and early flamenco guitar music: New findings and perspectives

- Julian Bream, the great dissident of Segovia’s era

- The Guitar and Banal nationalism during the Restoration in Spain

- The guitar as a teaching tool in the elementary general music classroom

- Guitars with Many Strings: The Meanings of Music in Picassoʼs Early Work 1900-1914

- Production and evaluation of a self-instructional method for teaching jazz guitar

- Esteban Daza, “El Parnasso”

- Guitar fingerboard theory for high school students : an annotated instruction book

- Classic guitar : methods for the evaluation of technique and the gradation of repertoire

- Altered states of performance: scordatura in the classical guitar repertoire

- The Dowland lute-songs : studies in hermetic form

- Selected Lute Music from Paris, Rés. Vmd. Ms. 27 from the Bibliothèque Nationale: Reconstruction, Edition, and Commentary

- The early guitar in Paris: A comparative study of the music of Adrian Le Roy and Guillaume Morlaye

- Ergonomic fingerings for guitar chordsequences

- Flute partita a-minor BWV 1013: arrangement for guitar

- Perceived differences in electric guitar amplification applications

- Sound engineers and Guitarists Perception of the Timbre of the Electric Guitar Amplifier as Dependent on Microphone Distance

- Theme and Variations for guitar Op. 77: an analysis and background of Lennox Berkeley’s brilliant composition for the guitar

- Optimization and evaluation of crucial properties for stainless steel wire used as guitar strings

- Agustín Barrios and musical identity: Tangos in early twentieth-century guitar repertory

- The creative and technical differences in composing an electric guitar concerto and classical guitar concerto

- Ida Presti as a Solo Performer and Composer of Works for Solo Guitar

- Professional Profiles, Pedagogic Practices, and the Future of Guitar Education –

- An Expert System for Guitar Sheet Music to Guitar Tablature

- The Chromatic Guitar Method

- Two Harpsichord Sonatas by Antonio Soler: Analysis and Transcription for Solo Guitar

- Joaquín Rodrigo´s “Cuatro piezas para piano” transcribed for guitar trio

- Participating in the musical tradition of prejjem: Transmitting the guitar culture of għana within and between insular musical communities of islanders in Malta and the Maltese-Australian diaspora

- A Practical Guide for Composing and Performing Guitar-Piano Chamber Music

- Body, mimesis and image : a gesture based approach to interpretation in contemporary guitar performing practice