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- Cognitive and metacognitive learning strategies for skill acquisition among conservatory guitarists

- Design for performability in nylon strung acoustic guitars

- Finite Element Design and Manufacturing of a Nylon-String Guitar Soundboard from Sandwich-Structured Composites

- A Beginner’s Guide to the Renaissance Lute

- Approaching a Concept and Biology of Tone Production on Early Modern Lute Instruments

- Campanelle in Seventeenth-Century Guitar Music, Bells and Riddles

- “Folies d’Espagne” As A Show Of Iberistic-French Reception In Lute Tablature Compositions Preserved And Kept In Poland

- The Development of a Method for Teaching Fundamentals of Guitar to College Students in Music Education and Music Terapy Curricula

- A newly discovered dutch lute book MS Enkhuizen 1667-1

- A Week in the Blacksmith’s Life: Lutenists from Silesia and Bohemia around Count Losy von Losinthal (1650–1721)

- The Changing Sound of the Vihuela

- Reconstruction of a Sixteenth-century Vihuela with Historical Making Techniques

- Polythematic fantasias in Wurstisen lute book

- Imitative Fantasias in Wurstisen Lute Book (CH-BU MS. F.IX.70)

- The compositions of Francesco da Milano in the Castelfranco Veneto manuscript further considerations

- “The court, which is nothing but a show, now comic and more often tragic’: new documents on the last years of Francesco da Milano

- The Memory of Paper. An Incomplete History of the Libro Terzo d’Intavolatura di Chitarone by Gio. Girolamo Kapsperger – Franco Pavan

- Emanuel Wurstisen’s manuscript (CH-Bu Ms. F.IX.70) as a source of German lute tablature

- Intabulations of Protestant Sacred Songs and Psalms in Wurstisen lute book. Adaptation and arrangement of the chorale models

- Singer Songwriters, the Lute, and the Stile nuovo

- A critical and performance edition of Agustin Barrios´s Cueca

- Extra fine Guitars after the newest Fashion’: guitar- and cittern-making in the northern Netherlands, 1750–1800

- The Guitar in Tudor London

- Buying, selling and owning guitars in Elisabethan England – Christopher Page

- The Guitar in the Age of Charles I

- An Englishman (wich a guitar) abroad

- The Guitar at the Restoration Court

- Left-Hand Injuries in Guitarists: Literature Review and Some Solutions

- Basic Left Hand Position and Technique

- Becoming a healthier guitarist: Understanding and addressing injuries

- The Impact of Print Technology on the Early Guitar Repertoire

- Comparison of the “Méthode Pour La Guitare” by Fernando Sor with the “Méthode Complète Pour La Guitare Par Ferdinand Sor, Rédigée Et Augmentée De Nombreux Exemples Et Leçons Suivis D’une Notice Sur La 7e Corde” by Napoléon Coste

- Revising the Origins of the Brazilian Seven-string Guitar Through Musical Analysis

- Baroque Tuning Aesthetics in the Music of J.S. Bach: Variety between the Well-tempered Clavier and the Works for Lute Solo

- The Impact of Print Technology on the Early Guitar Repertoire – Gideon Brettler

- Early Seventeenth-Century Harmonic Practice: A Corpus Study of Tonality, Modality, and Harmonic Function in Italian Secular Song with Baroque Guitar Accompaniment in Alfabeto Tablature

- Guitar Passacagli and Vocal Arie

- Blues Guitar – Legacy Learning Systems

- Villa-Lobos 12 Études: how the manuscripts affect the performance

- Evolution of a “National Linguagen” in the Guitar Music of H. Villa-Lobos

- Phrase Structure and Linear Progression in Villa-Lobos Preludes 1, ,2 and 5 for Guitar

- Santiago de Murcia: a survey of his Baroque guitar books

- William Walton’s Five Bagateles for Guitar

- A comparison of the piano and guitar version of Isaac Albeniz´s Spanish Suite Op.47