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Blog by the guitarist Nacho Bellido
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Optimization and Evaluation of Crucial Propertier for Stainless Steel Wire Used as Guitar Strings
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A comprehensive approach to teaching the Blues in the music classroom
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The Life and Music of Freddie King
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Stringshift. Solo Guitar Improvisation: Process, Methodology and Practice
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Principles of Idiomatic Guitar Writing
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The Spanish guitar influence on the piano music of Isaac Albéniz and Enrique Granados: a detailed study of Granada and Asturias of Suite española by Albéniz and Andaluza and Danza triste of Doce danzas españolas by Granados
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Towards an Ethnomusicology of Contemporary Flamenco Guitar
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Fernando Sor’s Theory of Harmony Applied to the Guitar: History, Bibliography and Context
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The Guittar in the British Isles, 1750-1810
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The portuguese guitar: History and transformation of an instrument associates with fado
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Stefano Landi’ s Arie a una voce and Early Seventeenth-century Italian Guitar Music with Alfabeto Notation
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The development and validation of an instrument for measuring the music sight-reading skills of classical guitarists at the college entry level
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Paganini’s 24 Caprices Opus 1: A Transcription for Electric Guitar and analysis and development of the techniques required to perfrom them
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An Analysis of Villa Lobos’s’ Twelve Etudes for Guitar
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Jazz guitarist Jimmy Ponder: A Case Study of Creative Processes and Identity Formation in American Popular Music
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Optimization and Evaluation of Crucial Propertier for Stainless Steel Wire Used as Guitar Strings
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Guitar style, open tunings and stringband music in Papua New Guinea
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Historically informed interpretation: a process in relation to the Deuxi ` eme Grande Sonate op.25 for solo guitar by Fernando Sor
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Tracing the Segovia style: Collaboration and composition in the guitar Sonatinas of Mario Ponce
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Mario Castelnuovo-Tedesco´s The Divan of Moses-Ibn-Ezra A cycle of Songs for Voice and Guitar op. 207 (1966)
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Bringing new works to life : collaboration and interpretation in the performance, recording and editing of new works for guitar
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Tuning the classical guitar: a commentary and guide
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Franco Margola ‘ s Chamber Works with Guitar: A Guide and Annotated Catalog
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Style and Development in the Theorbo Works of Robert de Visée: An Introductory Study
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Guitar music by japanese composers
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Continuo for lutenist and guitarrist: A tutor and music theory supplement
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Flamenco : A Musical Journey into the Heart of Andalusia
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Pride, Pedagogy, and Performance: Getaran Jiwa, Variations on a Malaysian Song, Op. 125 by John Duarte
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Automatic guitar tablature transcription online
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The guitar as a teaching tool in the elementary general music classroom.
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El Murciano´s “Rondeña” and early flamenco guitar music: New findings and perspectives
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Julian Bream, the great dissident of Segovia’s era
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The Guitar and Banal nationalism during the Restoration in Spain
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The guitar as a teaching tool in the elementary general music classroom
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Guitars with Many Strings: The Meanings of Music in Picassoʼs Early Work 1900-1914
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Production and evaluation of a self-instructional method for teaching jazz guitar
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Esteban Daza, “El Parnasso”
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Guitar fingerboard theory for high school students : an annotated instruction book
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Classic guitar : methods for the evaluation of technique and the gradation of repertoire
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Altered states of performance: scordatura in the classical guitar repertoire
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The Dowland lute-songs : studies in hermetic form
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Selected Lute Music from Paris, Rés. Vmd. Ms. 27 from the Bibliothèque Nationale: Reconstruction, Edition, and Commentary
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The early guitar in Paris: A comparative study of the music of Adrian Le Roy and Guillaume Morlaye
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Ergonomic fingerings for guitar chordsequences
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CATEGORIES
GENERAL
Articles about music
Historical studies related to the guitar
THE ELECTRIC GUITAR
Construction and repair
Jazz / Blues guitar
Maintenance
pickups
Sound
THE LUTE
THE PLUCKED STRING INSTRUMENTS
THE SPANISH GUITAR
Acoustic and tuning
Analisys of musical works
Construction and repair
Guitar technique
Historical research
Methods and pedagogy
THE VIHUELA
Tablature