Author Archives: admin

- The approach to tango, by classical guitarist

- The Guitar as an Accompaniment Instrument

- The Use of Guitar in Anton Webern’s Op. 18 and its Influence on His Late Works

- The Late baroque lute Seen through S.L. Weiss

- The blending of African-American and European aesthetics in the guitar performance of British blues from 1965 to 1967.

- Jazz guitarist Jimmy Ponder: A Case Study of Creative Processes and Identity Formation in American Popular Music

- The Making of a Cultural Icon: The Electric Guitar

- Optimization and Evaluation of Crucial Propertier for Stainless Steel Wire Used as Guitar Strings

- A comprehensive approach to teaching the Blues in the music classroom

- The Life and Music of Freddie King

- Stringshift. Solo Guitar Improvisation: Process, Methodology and Practice

- Principles of Idiomatic Guitar Writing

- The Spanish guitar influence on the piano music of Isaac Albéniz and Enrique Granados: a detailed study of Granada and Asturias of Suite española by Albéniz and Andaluza and Danza triste of Doce danzas españolas by Granados

- Towards an Ethnomusicology of Contemporary Flamenco Guitar

- Fernando Sor’s Theory of Harmony Applied to the Guitar: History, Bibliography and Context 

- The Guittar in the British Isles, 1750-1810

- The portuguese guitar: History and transformation of an instrument associates with fado

- Stefano Landi’ s Arie a una voce and Early Seventeenth-century Italian Guitar Music with Alfabeto Notation

- The development and validation of an instrument for measuring the music sight-reading skills of classical guitarists at the college entry level

- Paganini’s 24 Caprices Opus 1: A Transcription for Electric Guitar and analysis and development of the techniques required to perfrom them

- An Analysis of Villa Lobos’s’ Twelve Etudes for Guitar

- Jazz guitarist Jimmy Ponder: A Case Study of Creative Processes and Identity Formation in American Popular Music

- Optimization and Evaluation of Crucial Propertier for Stainless Steel Wire Used as Guitar Strings

- Guitar style, open tunings and stringband music in Papua New Guinea

- Historically informed interpretation: a process in relation to the Deuxi ` eme Grande Sonate op.25 for solo guitar by Fernando Sor

- Tracing the Segovia style: Collaboration and composition in the guitar Sonatinas of Mario Ponce

- Mario Castelnuovo-Tedesco´s The Divan of Moses-Ibn-Ezra A cycle of Songs for Voice and Guitar op. 207 (1966)

- Bringing new works to life : collaboration and interpretation in the performance, recording and editing of new works for guitar

- Tuning the classical guitar: a commentary and guide

- Franco Margola ‘ s Chamber Works with Guitar: A Guide and Annotated Catalog

- Style and Development in the Theorbo Works of Robert de Visée: An Introductory Study

- Guitar music by japanese composers

- Continuo for lutenist and guitarrist: A tutor and music theory supplement

- Flamenco : A Musical Journey into the Heart of Andalusia

- Pride, Pedagogy, and Performance: Getaran Jiwa, Variations on a Malaysian Song, Op. 125 by John Duarte

- Automatic guitar tablature transcription online

- The guitar as a teaching tool in the elementary general music classroom.

- El Murciano´s “Rondeña” and early flamenco guitar music: New findings and perspectives

- Julian Bream, the great dissident of Segovia’s era

- The Guitar and Banal nationalism during the Restoration in Spain

- The guitar as a teaching tool in the elementary general music classroom

- Guitars with Many Strings: The Meanings of Music in Picassoʼs Early Work 1900-1914

- Production and evaluation of a self-instructional method for teaching jazz guitar

- Esteban Daza, “El Parnasso”