The guitar and plucked string instruments
Blog by the guitarist Nacho Bellido
nachobellido.com
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GENERAL
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The Reception of Lute Pieces by the Silesian Lutenist Esaias Reusner Junior in the Levoča Manuscripts. The scribe case of Jacques Bittner
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Exploring a Modified Fifths Tuning as a Vehicle for Composition for Jazz Guitar
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Colombia’s Classical Guitar Repertoire: Traditional, Traditional-Popular, and Art Music Idioms
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Are replicas of Nicolás del Valle’s pear-shaped guitar from 1850 acoustically matching the original?
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Studying Torres guitars
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The Significant Role of the Fingernails in the Production of Tone on the Classical Guitar
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Revisiting the Music-Printing Market in Seventeenth-Century Italy and the Peculiar Case of Pietro Millioni’s Guitar Books
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Oral transmission and the production of guitar tablature books in seventeenth-century Italy
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Transcription, performance and recording of Johann Sebastian Bach’s works for lute on a ten-string guitar
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Barrios’s encyclopedic approach to the guitar
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19th century Performance Practice Miguel Llobet’s Interpretation of J.S. Bach
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Violeta Parra: Life and Work
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François de Fossa, Louis Picquot and the transmission of Luigi Boccherini’s guitar quintets
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Tracking the Banjo: From Across the Water to the Stage and Up the Mountains
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The Guitarist behind La Guitaromanie : Charles de Marescot
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Giuliani’s Naples: A Walking Tour
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Reginald Smith Brindle’s Concept of Tonal-Atonal Equilibrium in Theory and Practice
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Breaking the Matrix: Transcribing Bartók and Ligeti for the Guitar Using a New Capo System
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Monitored Freedom: Swing Rhythm in the Jazz Arrangements of Roland Dyens
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Spanish Guitarists in Nineteenth-Century São Paulo
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“For Andrés Segovia”: Francisco de Lacerda’s Suite goivos (1924)
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The Guitar as an “Open-Air” Instrument in the Early Romantic Era
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An Uncatalogued Piece by Fernando Sor?
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Henry Worrall (1825–1902): Anglo-American Guitarist
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Concepción Gómez de Jacoby: Tárrega’s Enigmatic Patron and Recuerdos de la Alhambra
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New Light on Mauro Giuliani’s Vienna Years
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The Life and Times of Josef Kaspar Mertz: New Biographical Insights
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Andrés Segovia’s Unfinished Guitar Method: Placing His “Scales” in Historical Context
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Guitar Music Manuscripts in the Senate Library of Madrid: The Canción patriótica de la Alianza and Its Experimental Notation
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Dating Trille Labarre’s Nouvelle méthode: Caught Between Printing and Publishing?
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“The Lutenist!”: Anxieties, Ambiguities, and Deviations in Julian Bream’s Discography
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Villa-Lobos Etudes for the Guitar: The 1928 Manuscript
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Recent Sonata Theory and the Performance of Early Nineteenth-Century Guitar Sonatas
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Style, Structure, and Performance in Three Portraits for Solo Guitar (2004–2020) by Sérgio Assad
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Exploration of Late Twentieth Century American Flute and Guitar Works with Emphasis on Robert Beaser’s Mountain Songs and Lowell Liebermann’s Sonata for Flute and Guitar
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So that the soul would dance in you. The guitar in Finland before the twentieth century
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Recording the Classical Guitar: A Documentation and Sound Analysis of Great Classical Guitar Recordings with a Guide for Sonic Emulation
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Aspects of Social and Stylistic Associations in Four Works of Mauro Giuliani
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The Guitar’s Apostle: Imaginaries and Narratives Surrounding Andrés Segovia’s Religious Redemption of the Classical Guitar
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The Guitar in Arnold Schoenberg´s Serenade, Opus 24: Antecedents and Legacy
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Aspects of Villa-Lobos’s Tonal Style in Some of His Studies for Guitar
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Alternatives in Guitar Notation: Towards a Practical Implementation of Clef and Score Reading on the Guitar
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A look at form and pitch content in Toru Takemitsu’s “Equinox”
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A Survey of the Solo Guitar Works Written for Julian Bream
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GENERAL
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THE ELECTRIC GUITAR
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THE PLUCKED STRING INSTRUMENTS
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CATEGORIES
GENERAL
Articles about music
Historical studies related to the guitar
THE ELECTRIC GUITAR
Construction and repair
Jazz / Blues guitar
Maintenance
pickups
Sound
THE LUTE
THE PLUCKED STRING INSTRUMENTS
THE SPANISH GUITAR
Acoustic and tuning
Analisys of musical works
Construction and repair
Guitar technique
Historical research
Methods and pedagogy
THE VIHUELA
Tablature