The guitar and plucked string instruments
Blog by the guitarist Nacho Bellido
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Categoría:
THE SPANISH GUITAR
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Recent Sonata Theory and the Performance of Early Nineteenth-Century Guitar Sonatas
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Style, Structure, and Performance in Three Portraits for Solo Guitar (2004–2020) by Sérgio Assad
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Exploration of Late Twentieth Century American Flute and Guitar Works with Emphasis on Robert Beaser’s Mountain Songs and Lowell Liebermann’s Sonata for Flute and Guitar
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So that the soul would dance in you. The guitar in Finland before the twentieth century
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Recording the Classical Guitar: A Documentation and Sound Analysis of Great Classical Guitar Recordings with a Guide for Sonic Emulation
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The Guitar’s Apostle: Imaginaries and Narratives Surrounding Andrés Segovia’s Religious Redemption of the Classical Guitar
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The Guitar in Arnold Schoenberg´s Serenade, Opus 24: Antecedents and Legacy
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Aspects of Villa-Lobos’s Tonal Style in Some of His Studies for Guitar
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Alternatives in Guitar Notation: Towards a Practical Implementation of Clef and Score Reading on the Guitar
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A look at form and pitch content in Toru Takemitsu’s “Equinox”
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A Survey of the Solo Guitar Works Written for Julian Bream
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Guide to the Interpretation of John Dowland’s “Queen Elizabeth’s Galliard P.41,” “Lachrimae Pavan P.15,” “Farewell Fantasy P.3,” and “Forlorn Hope Fancy P.2″ Transcribed for Guitar
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The Art of Transcription: Original Transcriptions of Erik Satie’s Five Nocturnes for Two Guitars Camille Saint-Saëns’ Danse Macabre, Op. 40 for Four Guitars
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Primary Sources and Editions of Suite Popular Brasileira, Choros No. 1, and Five Preludes, by Heitor Villa-Lobos: A Comparative Survey of Differences
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Leo Brouwer’s Elogio de la danza (1964): Im prints of Dance, Stravinsky, & the Unison of Contraries
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The Afro-Cuban and the Avant-Garde unification os the style and gesture in the guitar music of Leo Brouwer
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Some rhythmic theories compared and applied in an analysis of El decameron negro by Leo Brouwer
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Minimalism and the guitar
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Aguacero: A Semiotic Analysis of Paisaje Cubano con Lluvia by Leo Brouwer
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Creating an improviser ‘s system for jazz standards on the classical guitar
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Resource-Sensitive Global Production Networks: Reconfigured Geographies of Timber and Acoustic Guitar Manufacturing
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The process of transcription for guitar of J.S.Bach Chaconne from partita II for violin without accompaniment BWV 1004
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Christian Gotthilf Four sonatas transcribed for guitar duo
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Creating Tablature and Arranging Music for Guitar with Genetic Algorithms and Artificial Neural Networks
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The acoustics and psychoacoustics of the guitar
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Legato and glissando identification in classical guitar
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The approach to tango, by classical guitarist
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The Guitar as an Accompaniment Instrument
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The Use of Guitar in Anton Webern’s Op. 18 and its Influence on His Late Works
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Stringshift. Solo Guitar Improvisation: Process, Methodology and Practice
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Principles of Idiomatic Guitar Writing
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The Spanish guitar influence on the piano music of Isaac Albéniz and Enrique Granados: a detailed study of Granada and Asturias of Suite española by Albéniz and Andaluza and Danza triste of Doce danzas españolas by Granados
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Towards an Ethnomusicology of Contemporary Flamenco Guitar
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Fernando Sor’s Theory of Harmony Applied to the Guitar: History, Bibliography and Context
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The Guittar in the British Isles, 1750-1810
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The portuguese guitar: History and transformation of an instrument associates with fado
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Stefano Landi’ s Arie a una voce and Early Seventeenth-century Italian Guitar Music with Alfabeto Notation
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The development and validation of an instrument for measuring the music sight-reading skills of classical guitarists at the college entry level
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An Analysis of Villa Lobos’s’ Twelve Etudes for Guitar
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Guitar style, open tunings and stringband music in Papua New Guinea
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Historically informed interpretation: a process in relation to the Deuxi ` eme Grande Sonate op.25 for solo guitar by Fernando Sor
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Tracing the Segovia style: Collaboration and composition in the guitar Sonatinas of Mario Ponce
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Mario Castelnuovo-Tedesco´s The Divan of Moses-Ibn-Ezra A cycle of Songs for Voice and Guitar op. 207 (1966)
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Bringing new works to life : collaboration and interpretation in the performance, recording and editing of new works for guitar
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CATEGORIES
GENERAL
Articles about music
Historical studies related to the guitar
THE ELECTRIC GUITAR
Construction and repair
Jazz / Blues guitar
Maintenance
pickups
Sound
THE LUTE
THE PLUCKED STRING INSTRUMENTS
THE SPANISH GUITAR
Acoustic and tuning
Analisys of musical works
Construction and repair
Guitar technique
Historical research
Methods and pedagogy
THE VIHUELA
Tablature