Categoría: Analisys of musical works

- An Analysis of Villa Lobos’s’ Twelve Etudes for Guitar

- Franz Schubert’s Chamber Music with Guitar: A Study of the Guitar’s Role in Biedermeier Vienna.

- A Survey of the Solo Guitar Works Written for Julian Bream

- Guide to the Interpretation of John Dowland’s “Queen Elizabeth’s Galliard P.41,” “Lachrimae Pavan P.15,” “Farewell Fantasy P.3,” and “Forlorn Hope Fancy P.2″ Transcribed for Guitar

- Primary Sources and Editions of Suite Popular Brasileira, Choros No. 1, and Five Preludes, by Heitor Villa-Lobos: A Comparative Survey of Differences

- The developement of the solo classical guitar repertoire 1800-1950

- Exploring the patterns, figures and flowing ideas of Leo Brouwer

- The guitar works of Mario Castelnuovo-Tedesco : editorial principles, comparative source studies and critical editions of selected works

- Cuban Artist, Leo Brouwer, and his solo guitar works: Pieza Sin Titulo To Elogio de la Danza. A contextual-analytical study

- Music for Classical guitar By South African Composers. A historical survey, notes on selected works and a general catalogue

- Villa-Lobos´s Cinq Preludes: An analysis of influences

- Analytical Perpectiveson on Three Groundbreaking Composers for Guitar: Villa-Lobos, Martin and Britten

- An Analysis of Astor Piazzolla’s Histoire du Tango for Flute and Guitar and the Influence of Latin Music on Flute Repertoire

- A Survey of Four Original Works for Clarinet and Guitar and Their Effect on Compositional Output for the Repertoire

- The Solo Guitar Music of Carlo Domeniconi: An exploration of the diverses influences

- An Annotated Bibliography of Works by the Brazilian Composer Sérgio Assad

- Sérgio Assad’s Aquarelle and Fantasia Carioca: A Performer’s Guide

- Guidelines for Transcribing Baroque Lute Music for the Modern Guitar, Using Silvius Leopold Weiss’s Sonata

- Contemporary Mexican Classical Guitar Music at the Turn of the Twenty-First Century: Selected Compositions 1988-2003

- Mauro Giuliani: Instrumental and Vocal Style in Le Sei Rossiniane

- Turkish Musical Influences upon Carlo Domeniconi’s Variations on an Anatolian Folk Song and Koyunbaba: Implications for Performance

- A performance edition with critical commentary on Joaquin Rodrigo’s “Invocación y Danza”

- A comparative analysis of two guitar transcription of Isaac Albeniz´s Granada

- Rethinking tradition : towards an ethnomusicology of contemporary flamenco guitar

- The five-course guitar and seventeenth-century harmony : Alfabeto and Italian song

- The guitar works of Mario Castelnuovo-Tedesco : editorial principles, comparative source studies and critical editions of selected works

- The Just Intonation Guitar Works of Lou Harrison, James Tenney, and Larry Polansky

- Julian Bream’s 20th Century Guitar: An Album’s Influence on the Modern Guitar Repertoire

- Homage in the solo guitar music of roland dyens

- Ernesto García de León: A Study of Sonata No. I, Op. 13 for guitar, Las Campanas (The Bells)

- Selected Harpsichord Sonatas by Antonio Soler: Analysis and Transcription for Classical Guitar Duo

- The Sarabandes from J. S. Bach’s Six Suites for Solo Cello: An Analysis and Interpretive Guide for the Modern Guitarist

- Establishing Editorial Principles to Create a Performance Edition of Selections From Appunti Op 210 By Mario Castelnuovo-tedesco

- Alberto Ginastera and the Guitar Chord: An Analytical Study

- A Pedagogical and Analytical Study of Dušan Bogdanović’s Polyrhythmic and Polymetric Studies for Guitar

- Compositional practices in Leo Brouwer’s Elogio de la danza : transitions from his early style to the avant-garde

- Lawrence Weiner’s Concerto for Guitar and Orchestra: Analysis and Performance Considerations

- Ernest Shand (1868 – 1924) Premier concerto pour guitarre

- A polyphonic mode of listening: Luciano Berio´s “Sequenza XI” for guitar

- The guitar music of Peter Sculthorpe

- Heitor Villa-Lobos, Valsa concerto n-2 op 8 (1904)

- Llobet Composition´s: an analityc examination of selected works

- Fernando Sor -An analysis of Sonata for Guitar (op. 15b)

- Pedagogical analysis of Paganini´s Sonatas for guitar