Categoría: Analisys of musical works

- The baroque guitar as an accompaniment instrument for song, dance and theatre – Natasha Frances Miles

- El estilo castellano y el estilo catalan. An introduction to spanish guitar chord notation

- Harpsichord Suite in A Minor by Élisabeth Jacquet de la Guerre Arranged for Solo Guitar

- The Violin Sonatas of Johann Georg Pisendel (1687-1755): A History, Analysis, and Arrangement for Solo Guitar

- Transcribing English Virginal Music for Two Guitars: Historical Perspective, Methodology, and Practical Applications

- Vincenzo Galilei’s “26 Ricercari” from Fronimo, Transcribed for Guitar: Challenges and Solutions for Transcribing and Playing Italian Renaissance Lute Tablature on the Modern Guitar

- A String of Confusion Some Thoughts on A. Strummer’s Book Review of Italian Guitar Music of the Seventeenth Century

- Collaborating with the Guitar: The exploration of collaborative practices between three non-guitarist composers and a guitarist performer in the creation of new works for the classical guitar

- ‘Caprice de chaconne’ (1671): Symmetry and proportions in Francesco Corbetta’s work for Baroque guitar

- Journal des Troubadours Avec Accompagnement de Guitare ou Lyre with its Unusual Dating Code and Ferdinando Carulli as Composer and Arranger

- Jazz Standards Arranged for Classical Guitar in the Style of Art Tatum

- Campanelle in Seventeenth-Century Guitar Music, Bells and Riddles

- A critical and performance edition of Agustin Barrios´s Cueca

- Early Seventeenth-Century Harmonic Practice: A Corpus Study of Tonality, Modality, and Harmonic Function in Italian Secular Song with Baroque Guitar Accompaniment in Alfabeto Tablature

- Guitar Passacagli and Vocal Arie

- Villa-Lobos 12 Études: how the manuscripts affect the performance

- Phrase Structure and Linear Progression in Villa-Lobos Preludes 1, ,2 and 5 for Guitar

- William Walton’s Five Bagateles for Guitar

- A comparison of the piano and guitar version of Isaac Albeniz´s Spanish Suite Op.47

- Expressing Ourselves: Carcassi Op. 60

- Warlock, Dowland and Segovia

- To Prelude (v.): The Art of Preluding and Applications for the Modern Classical Guitarist

- The Toccatas of Johannes Hieronymus Kapsberger’s Libro Primo D’Intavolatura Di Lauto: Analysis, Performance Practice, and Transcription for Modern Classical Guitar

- Henri Sauguet’s unpublished guitar music

- Divergence and convergence in Spanish classical and flamenco guitar traditions (1850-2016) -

- Grand Solo Op.14 & Rondo Op2. N3: The Sonority of the Classical Era

- Six Keyboard Sonatas of Manuel Blasco de Nebra: Transcriptions for Guitar and Analysis of Spanish Folk Music Influences, and Use of Keyboard Techniques that Imitate the Guitar, as Inspired by Domenico Scarlatti

- J.S. Bach’s Suite in G Minor, BWV 995: A Comparison of Manuscripts for Violoncello, Lute and Lute Intabulation as a Model for a Guitar Arrangement of the Suite in D Major BWV 1012

- Concerto for Guitar and Small Orchestra by Heitor Villa-Lobos: Critical Commentary and Transcription for Two Guitars

- The folia: Manuel Ponce and his variations

- Broadening the Repertoire for Guitar and Piano: An Arrangement of Bachianas Brasileiras No. 1 by Heitor Villa-Lobos

- The first three guitar sonatas of David del Puerto –

- The Influence of Neoclassicism in Selected Guitar Works by Joaquín Rodrigo: Implications for Performance

- Homenaje. An Analysis of Manuel de Falla’s Le Tombeau de Claude Debussy

- An Overview and Performance Guide to the 10 Etudes for Guitar by Giulio Regondi – Stephen Lochbaum

- François le Cocq’s Music for the 5-course Guitar: Consideration of Composition and Performance Style

- Counterpoint and Performance of Guitar Music – Historical and Contemporary Case Studies

- The Progression of Villa-Lobos Compositional Style from the Suite Popular Brasileiro to the Doze Estudo

- An Analysis of Phrase Structures in the first movement of Leo Brouwer´s Elogio de la Danza – Bogdan Vasile Focsaneanu

- Manuel M. Ponce: A critical study of his concierto romantico

- The music of Alberto Ginastera transcribed for guitar. A performance edition of danzas argentinas for guitar quartet – Philip Jason Snyder

- Pierre de Breville’s Fantaisie

- Lennox Berkeley’s Quatre Pieces Pour La Guitare

- An Analysis of Villa Lobos’s’ Twelve Etudes for Guitar